Graphic Design
Film Density
and Linescreen:
If
you've ever wanted to know about film density or
halftone-screening then this is your lucky day. This
is a process that allows us to see shades of gray while using
only black ink on white paper. It's all about the ratio of black
print versus visible white background. If we want to 'see' a light
gray we print a
bunch of small black dots, evenly spaced. The ratio of black to
white, and the distance between the black dots creates a bit of
an optical illusion for our brain... we 'see' it as a shade of
gray. If we want to see a
medium gray, we print larger (still evenly spaced) black dots
which means less white background is visible. More black
combined with less white makes us 'see' a darker color, so the
darker we want to go, the more black gets printed until the
point where the white background disappears - and we have solid
black.

The
optical illusion of 'seeing gray' is more convincing when viewed
from a distance. The closer you look, the more noticeable the
dots are.
Want to
get technical about linescreens?
The frequency of the dots within a given area is referred to as
it's density - this is an important number. In the United States and
Canada we measure halftone screens in "lines per
inch" or lpi. If the "linescreen" [aka:
"screen frequency"] is 100 lpi that means each square inch
of a given color will contain 100 lines per linear inch. So 100
in length x100 in width = 1,000 halftone dots.
Different
printing techniques and conditions require different
screens, but these numbers are typical, not hard and fast.
- Newspapers:
85-100 lpi
- CDman's
Silkscreen Printing: 100 lpi
- Magazines:
133-175 lpi
- CD
packaging (paper products): 150 lpi
- Art
books: 175 lpi
- CDman's
Offset Disc Printer: 200lpi


Device Resolution refers to the number of image elements per inch that a printer or imagesetter can
produce. The higher the device resolution the better the quality
of the print. A
typical image setter is capable of producing over 2400 dpi.
The dots-per-
inch combined with the line-screen controls the number of levels
of gray that can be achieved with an output device. One dot
on a hi-resolution image setter is equal to 1:2400 of an inch
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