Graphic Design

Working With Text:

Extremely important elements in processing a job are the fonts used in the page layout document. When you select a font in your page layout program the program is actually calling up a small file in your computer system's fonts folder for the 'font map' or how it will display it's weight and shape. If you then forward someone the layout file without including the font file from your system, the end user will not be able to proceed.

Tip: To avoid hassles with fonts during pre-flight, use Illustrator or InDesign and before you save your files, select all your text and choose the menu TEXT | CREATE OUTLINES (older versions say create paths) - to turn all fonts into self contained lines on the page. When you output your job you will never get a hold with "font files not found" error messages.

Please make sure you have carefully proof-read all of your copy before converting to outlines. Modifications once text is converted are either impossible or will take a long time, resulting in additional charges to you!



Fonts are actually mini files that manage the "typefaces" you see on the monitor and your printed page. In order for CDman to output your files correctly, we need to have the same manufacturer, and version number of the fonts on our system that were used in your document.

 


font tree
Above image: the windows/fonts directory tree


Font problems are unquestionably responsible for more job delays and frustrations than any other area of digital file production. However, they can be easily avoided once you know what to look for and how to properly organize your fonts.

How to avoid font problems:

The easiest way to eliminate font problems is to ask the layout program to convert all fonts into lines on a page rather than calling up the font file for display information. This is easily done in Illustrator and InDesign but Quark currently does not have this feature.


Illustrator's menu: type, create outlines.

Steps to creating a font free layout using Illustrator or InDesign.

Step 1: Make a backup of the finished layout. Once you create outlines there is no going back to re-type words and sentences. A string of letters is no longer a string so save a version of the non outlined layout before proceeding.

Step 2: Select ALL the text in your layout. If any layers are locked, unlock them first.

Step 3: Use the menu Type, Create Outline. This will create nodes around each letter so don't be surprised at the unusual appearance of your text at first.

Step 4: Ensure your process worked by opening the Document info pallet (menu: window, document info) and select 'fonts' in the fly out menu that appears when you click the arrow in the top right corner of the palette. You should see 'none' in the usage of fonts.


Primer on types of fonts

Type 1 fonts for Macintosh

The original Adobe Postscript font format, Type 1, is still considered to be the best by most professionals. Type 1 fonts consist of two parts: the SCREEN font and the PRINTER font.
The screen font is a bitmap image of the letter forms used to represent the type on screen.

Shown above is a sample of the icon used for a Type 1 (or postscript) screen font for Helvetica Bold.
Screen fonts are usually collected in a “suitcase”, which can contain fonts from many different families. For proper organization of your fonts, it is best to put each font family in its own font suitcase.

Shown above is a sample of the screen font suitcase for the Helvetica family.


The printer font contains the data that is actually sent to the laser printer or image setter and it is used to correctly render each character. If the printer fonts are not available or are damaged, your font will look “jaggy” on the screen and will either print with the same bitmapped appearance, or convert automatically to a default system font such as Courier.

A sample of the printer font icon for Helvetica is shown above.

It is important to send both the screen and printer components for each font used in your document. This includes fonts used for EPS files (3rd party EPS files are notorious for containing fonts not included with the job, as they are often sent to clients without including the font files). Many fonts with the same name, such as Helvetica, are manufactured by more than one company and may have differences in kerning values, letter weight, etc., which may cause your text copy to reflow if we have to substitute our version of the font because we did not have yours. On a Macintosh platform, the fonts can be found in your main hard drive system's folder:


Unless you are using a type manager
your MAC fonts are in the system folder


TrueType Fonts for Macintosh

The TrueType format was developed by Microsoft and is now widely distributed with system software, applications and on disks of font collections. The most obvious difference between Type 1 and TrueType is that in True Type both screen and printer data are contained in one file whereas Type 1 has two separate files.

A sample of the TrueType icon for the italic version of Century Gothic for a Macintosh is shown above. TrueType fonts are also stored in a font suitcase and should never be mixed with Type 1 screen fonts. Rename the suitcase to Century Gothic Type1 and Century Gothic Truetype and place the files accordingly. If you have both types of fonts in the same suitcase it will occasionally cause problems when printing.


Type 1 and True Type for Windows


The same concepts apply for Windows versions of Type 1 (postscript) and True Type fonts. Just as on a Macintosh system, the postscript font is composed of two parts, a printer font and a screen font. The printer font has an extension of .pfb and the screen font has an extension of .pfm, and both have the same red Adobe “A” icon as shown below.

Printer fonts are used by ATM (Adobe Type Manager) to create crisp, accurate screen renditions of the font at any point size. You will find the postscript fonts in C:\psfonts folder. You must be sure to send both the screen and printer components.

A sample of a Windows True Type icon is shown above. If you are using ATM, then these fonts can be found in your C:\windows\fonts\ATM folder.

If you do not use ATM, then all fonts available on your system should be found in C:\windows\fonts.



Unless you are using a type manager
your Windows fonts are in c:\windows\fonts folder


One benefit of using ATM (Adobe Type Manager) is that it can help you find your fonts quickly on your hard drive. The Deluxe version includes a Font List tab which allows you to see all the fonts your system uses as well as if they are True Type or postscript ( Type 1) fonts. You can locate a font on this list by clicking on it, and then under “Display” go to “Properties” (shown below) and it will tell you exactly where this font is, as well as the actual name of the font. This can be very useful since many fonts such as the “Times” font family can have the following names: “TIR”-Times Roman; “TIB”-Times Bold; “TII”-Times Italic; “TIBI”-Times Bold Italic.



 

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